Mixmag

Dome Productions in Canada has integrated Calrec Artemis consoles into its flagship Titan and Empire OB trucks.

PSI Audio has taken its AVAA C214 active bass trap and remade it in a white finish.

Major League Fishing recently unveiled a new in-house studio and broadcast control room at sister company Winnercomm.

Sony Pictures Entertainment's post-production services have been updating their working environments with an eye towards consistency in sound, versatility in workflow, and updated client comforts.

Legendary producer Rick Rubin and pop songstress Beabadoobee share how they conjured and captured her new album, 'This Is How Tomorrow Moves.' It's a tale of finding confidence, taking cold plunges and crying onstage, all with a happy ending.

Our Mix review team puts the Softube Flow Mastering Suite to the test and finds its a complete mastering suite for your DAW.

When the Flaming Lips performed ‘Yoshimi Battles the Pink Robots’ at Koka Booth Amphitheatre, Soundworks fielded a sizable P.A. for the show.

The AES will host Jack Antonoff and his longtime mix engineer Laura Sisk as the focal point of a special event session at AES Show 2024 NY.

Award-winning re-recording mixers Mike Minkler, Marc Fishman, Steve Pederson and Alexandra Fehrman featured at Mix Sound for Film & Television event.