Craig Anderton’s Open Channel: The New Gig Economy—Studio Edition
These days, artists have to do it all themselves and be their own manager, producer, mastering engineer, merch maven and more. How do we get teamwork back into the industry?
These days, artists have to do it all themselves and be their own manager, producer, mastering engineer, merch maven and more. How do we get teamwork back into the industry?
Academy Award-winning production sound mixer John Casali recently upgraded his setup.
Meyer Sound will introduce ASTRYA, a new flagship cinema screen channel loudspeaker series, at CinemaCon 2025 later this month.
Top audio pros came together to help with FireAid, the benefit concert that raised more than $100m for L.A. wildfire victims
Venerable MI/pro-audio chain Sam Ash is returning as an exclusively online retailer, relaunching as Sam Ash Direct.
Kristian “Kohle” Kohlmannslehner has added Harrison Audio’s new 500 series modules to his Kohlekeller Studios in Germany.
Brittany Ellis discusses her process and workflow, in particular with 'Monarch: Legacy of Monsters.'
The Pageant and Delmar Hall in St. Louis host hundreds of acts a year, all of which are heard through a variety of hardy cables.
With smoke still in the air and only days to prepare, a team of live sound and broadcast professionals put together FireAid, a massive two-venue, six-hour, 35-artist live production that raised more than $100 million for those most affected by the L.A. fires.
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